Critical Myth

Television has become the medium of today's modern mythology, delivering the exploits of icons and archetypes to the masses. Names like Mulder, Scully, Kirk, Spock, and Buffy have become legend. This blog is a compilation of the reviews written about the tales of our modern day heroes.

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Monday, August 01, 2005

Stargate: Atlantis 2.3: "Runner"


Written by Robert C. Cooper
Directed by Martin Wood

In which evidence points to the presence of Lt. Ford on a deadly planet, but when a team is sent to retrieve him, they find out the hard way that someone else is also being hunted…


Robert C. Cooper is one busy guy. Not only did he completely revitalize “Stargate SG-1” (haters, look elsewhere) by steering a three-part epic, but he’s also been knee deep in giving Lt. Ford a makeover and a new motivation. Ford’s been begging for a reason to exist since the series began, thanks to a spare supporting role that even the writers knew didn’t have enough to it. So things had to change, and this is the episode where it comes together.

Rainbow might have been a little pissed when the initial idea came across the table, but he seems to have embraced the concept wholeheartedly since then. The fact is, the man is being replaced. The character of Ford is given an arc that ought to give the actor good material, but he’s been sidelined in favor of a more dynamic character. Given a choice between Ford and Ronon Dex, it’s not even a contest. Ronon gets one hell of an introduction in this episode, and for me, it works.

In a nice bit of continuity, Ronon’s introduction is directly tied to the ongoing search for Ford. Ford is running around a dangerous planet, and a team is dispatched. The team splits up almost instantly, but the writers let the story evolve organically. It doesn’t take long for Ronon to get a drop on Sheppard and Teyla (who are supposed to be rather good at this sort of thing), and in the process of gauging a potential enemy, Ronon demonstrates some serious warrior skills. The man is simply badass, and for the ladies, let’s just say my wife was paying a lot more attention once he was on-screen.

The writers do a nice job of giving Ronon a background that plays into the overall series arc. A couple of intriguing elements are introduced. Apparently, the Wraith have some interesting ideas about organized sports, because some of their prisoners are turned into “runners”, who the Wraith implant with tracking devices and then hunt down. Why the Wraith would do that is probably going to become important as the season marches on, but for now, it gives a solid reason for Ronon’s somewhat paranoid response to visitors.

Ford is a lot more fun with his neat personality shifts. He provides a nice counterpoint to Ronon’s paranoia. Ronon is paranoid because he has absolutely good reason for it; Ford is riding high on a chemical cocktail that keeps his judgment from kicking in. Ford seems to want to retain the confidence of his former friends, but his temper and paranoia keep getting in the way. In the name of proving that the “new man” he has become is a good thing, he keeps escalating an already very bad situation.

Prior to this episode, it looks like Ford was taking it to the Wraith, perhaps for the purposes of testing his worth. That’s what makes his decision to jump into the Wraith beam so disturbing. Does he think that he can take down a Wraith ship himself? Far more likely, he will be handing the Wraith a rather interesting biological experiment.

Early on in the episode, McKay gets to play the sarcastic and bumbling scientist again. Once Ford grabs him, however, McKay is locked in a duel of wits, and his desperation shines through. McKay seems to be the go-to character for that kind of material, but the writers need to be careful. Like Daniel Jackson before him, McKay needs to get character development to remain fresh. It doesn’t have to be much, especially since the seeds have already been planted in the first season.

I wasn’t thrilled with Teyla’s involvement in this episode, but the writers are letting her have a quick connection to Ronon. They probably have more in common than the rest of the characters, and Teyla is supposed to be quite the competent warrior herself. I say, “supposed to be”, because she’s not been utilized much this season at all. Since I enjoy the very sight of Rachel Luttrell on my television screen, I’d like it to include more of the fierce substance that marked her earlier appearances.

Going into this episode, I wasn’t sure how the new character introduction was going to go. It could have been a lot more heavy-handed. Instead, the transition was handled as elegantly as the more obvious transition on “SG-1”. Ending this episode with a nearly exact repeat of the confrontation from premiere was a stroke of genius by the actors (who demanded it be so, to hear tell). Add to that some great flashbacks to Ronon’s Wraith-repelling days and one damn fine fight scene, and this continues to keep the series moving in the right direction.

Writing: 2/2
Acting: 2/2
Direction: 2/2
Style: 2/4

Final Rating: 8/10

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