Battlestar: Galactica 2.6: "Home: Part I"

Written by David Eick
Directed by Sergio Mimica-Gezzan

In which Adama deals with the ramifications of the fragmentation of the fleet, while the President struggles to maintain control when her hopes are pinned on a Cylon traitor…


So now that all the early season plot threads are coming together, there’s too much story for just one episode. The result is a two-part story that slowly but surely triggers all the little plot elements that have been waiting for their time to shine. Since this is the first half of the story, there’s not a lot of action, and the focus is on character development. That’s not a bad thing; it’s simply not as exciting as the last few episodes before it.

Everything that’s been happening on the series this season traces back to the first season finale, where Roslyn asked Starbuck to violate orders and retrieve the Arrow of Apollo. It’s just taken a long time to hash itself out, and I couldn’t be happier about it. In this case, we get to see Adama slowly work through his emotional response to the fragmentation of the fleet, Roslyn struggle to maintain her control, Zarek’s underhanded plots, and a little Apollo/Starbuck action. Oh, and there’s the small matter of Boomer’s return as well.

I like how Adama’s psychological space is so controlled, yet everything can be discerned by one look in his eyes. Olmos brings such an intensity to the role; it’s a joy to behold. I think there’s a tension and distance growing between Adama and Tigh, however. For all the support Adama promised upon his return, he’s seen the cost of Tigh’s heavy-handed dictatorship. The only way to heal the wounds (if they can be healed) is to make peace with Roslyn, which is going to take a lot for Adama to accept. Odd that Dualla is the one that gets him to see that.

That’s something that happens a lot on Galactica. Minor characters provide an amazing level of support for their commanding officers. Normally, that would go unquestioned, especially in a siege crisis like the one they are enduring. But this is also a fleet with unknown Cylon infiltrators, one of which was just as trusted a “family member”. It’s hard not to wonder about motives.

Speaking of which, there’s Boomer and all the questions surrounding her motivations. I’m surprised that Apollo’s the only one who assumed that the ambush was Boomer’s doing. Whatever Boomer’s role in the big picture, she provides a great trigger point for conflict within and between the humans. Roslyn in particular seems to have little use for Boomer, despite the fact that Boomer is probably the only source of real intel that the humans know they have.

Richard Hatch must be incredibly happy. After all these years of trying to get the original series resurrected and fighting against a reinvention, he’s not only come around to see the light, but he’s been handed what is possibly the best role of his career. He brings a relish to Zarek’s plotting, even if the dialogue is a little heavy-handed; they didn’t need to say nearly as much as they did to get the point across.

And then there’s Apollo and Starbuck. A lot of critics of the new series were expecting these two to get together within seconds of the first episode. Take that, naysayers! It actually works when the characters have time to grow into an appreciation of each other. Or rather, when Apollo starts recognizing that a hot pilot with a rebellious streak is more than just a strange reflection of himself. I don’t see Kara settling down with Lee anytime soon, but would any future return for Anders be much fun if there wasn’t personal conflict for Kara in the process?

The next episode should see, based on the promos and the podcast, the next turn in the plot arc. The whole “Arrow of Apollo” thing ought to get a payoff, and Adama’s desire for some kind of confrontation with Boomer (even if it’s a different one than the one who shot him) should come to fruition. I don’t want to see this more serialized storytelling disappear completely, but it ought to be satisfying to see so many plot threads come to momentary fulfillment.

Writing: 2/2
Acting: 2/2
Direction: 2/2
Style: 2/4

Final Rating: 8/10